“Kime” is a Japanese word, roughly translated as “focus”. It is where Karate derives it’s power from at the point of impact of a punching or striking technique. But how well is it understood?
Most people loosely describe achieving Kime as moving with relaxation, then tensing the whole body very rapidly at the completion of the technique with a heavy exhalation. But tension stops movement and do we really want to tense (hence not be moving or hardly moving) even be it for a moment?
Does it really add anything to the technique?
Is there another way?
Master Kousaku Yokota speculates in his book, Shotokan Myths, that as Kata (patterns/forms) competition become popular, the tension at the end of the technique became more and more exaggerated so that competitors could emphasis to the judges that they were actually focusing at the right places.
There is a story (which I’m not able validate) that Gichin Funakoshi’s son visited the Japan Karate Association (for many years the main driving force behind promoting Shotokan throughout the World). Apparently one of his comments was, “where did all this tension come from”?
For many years, Karate (Shotokan in particular) has been criticised by other styles for being tense, stiff and wooden; because of this heavy emphasis on tension at the end of a technique. It is called a “hard” style, despite it’s Okinawan roots being more akin to the “soft” Chinese styles from which Karate evolved!
Anyway, here are my thoughts on the subject. Please let me know what you think and leave your comments below.
4 UNIQUE EBOOKs
Multiply your effectiveness with more impact for less effort and where to hit for best effect.
Bonus: Historical look at Bassai Dai, one of Karate’s most pivotal katas