In the last video Keith I posted on this blog, we looked at the rather odd sequence near the end of kata Nujishiho (Niseishi), where the movements do not fit the usual way of generating power in Karate (or at least, not the Shotokan way of doing this kata) and the chambering position of the reaction hand is unusual too. If you haven’t seen that post, then it might make more sense to read that one first, then come back to this one. Continue reading “Kata Bunkai for Nujishiho (Niseishi) Part 3” »
Nijushiho is one of my favorite katas. I passed my 2nd Dan with it more years ago than I care to remember. I posted about it’s opening sequence in September. This time we look at one of the sequences towards the end.
The version of the kata that I describe is the Shotokan version which of course may be performed differently in other styles. In the Shotokan version, this is an unusual sequence as we step into horse stance and perform an upper rising elbow strike at approximately a 45 degree angle, shuffle sideways and perform a punch (in direction of shuffle) at the same time as our reaction hand comes back to our ear (instead of the hip), then we shuffle back and perform a lower block.
The elbow strike is obvious enough, but why the shuffle/punch? Continue reading “Kata Bunkai For Nijushiho/Niseishi (Part 2 )” »
Here we look at the opening sequence of the kata Nijushiho (also known as Niseishi). In Shotokan in particular the usual interpretation of the slow forward moving “elbow strike” is that it applies an armlock under the opponents elbow by applying upward pressure. However, it seems to work much better if you apply the armlock across your chest. Have a look at the video and see what we mean. Continue reading “Kata Bunkai For Nijushiho/Niseishi: (Part 1)” »