Traditional Shotokan Karate Association: Annual Residential Course 2012

Having recently attended the Traditional Shotokan Karate Association (TSKA) Residential Course (12th – 14th May), I thought I’d share my experiences with you.

Being my first time at the TSKA residential course, I wasn’t completely sure what to expect, though it was well recommended by my club-mates.  So I turned up with high expectations and I have to say that I was not in slightest bit disappointed.  The 3 main instructors for the course were Sensei Pete Manning 6th Dan, Sensei John Euden 5th Dan and my own instructor, Sensei Paul Mitchell 5th Dan. Continue reading “Traditional Shotokan Karate Association: Annual Residential Course 2012”

A Private Class With John Johnston, 6th Dan

Having recently completed an interview with Sensei John Johnston, I was lucky enough to secure a private lesson with him.  Having discussed his approach to realistic Karate for self defence and the Adaptive Karate that he teaches in his seminars, Sensei Johnston was keen to show me in more detail and I was very keen to learn from him.  So John came down from Coventry with his wife Elaine, who is a 2nd Dan, and we had a class.

Sensei John Johnston and myself

It started of with some open hand techniques in basic form including Outer Knife Hand Strike, Inner Knife Hand Strike, Palm Heel, Spear Hand and Ridge Hand. Many clubs do not place much emphasis on these techniques outside of Kata, so I was happy to see this.  Also, although some of these techniques are circular in function, many Shotokan clubs/associations perform them in a linear fashion.  This is probably because they are more easy to control when performed linear, and therefore better for Kata competition (for anybody who receives Shotokan Karate Magazine, this was discussed by Scott Langely in Issue 109).

Anyway, when I saw John perform them in a circular fashion, it re-affirmed to me that he was a practical man, rather than one who wanted to simply look good.  After practicing them forward (with leading hand) and stepping back (with reverse hand), Elaine and I were invited to use some of them on a focus mitt.  After observing us, John had two main points that he wanted to make.  Firstly that the strike should go right through the target (whereas some people focus on the target itself).

Secondly, being 2nd and 3rd Dans we should be making more use of shuffling the body forward (sliding step) with the strike to put more body weight behind the target, rather than simply performing the strike in our basic stationary forward stance.  This is part of where his “adaptive” principles come in.  Rather than regimenting a set stance and/or step, as Elaine and I are of quite different builds, the way that we use the sliding step and the amount of penetration through the target focus mitt would be different and we had to adjust to our own physiques.

A similar exercise was carried out with kicking.  After practicing basic Front Kick a few times, John explained that usually in Karate, we aim the kick to the stomach. This is not the best target as it is relatively easy to defend against and the stomach muscles are the hardest in the body. Even a kick to the groin is not such a good target as it is a relatively small target and again quite easy to defend (and very intuitive to defend against simply be bringing knees together).

John told us to use the opponents thigh as a kind of “runway”, so that the kicking foot almost “runs up the opponents thigh”.  This is so as to aim for the hip joint or pubic bone.  If you get the hip joint you easily collapse the opponents structure leaving him very vulnerable to any follow up attack that you like.  If you get the pubic bone, it is very painful and not quite so easy to defend against as a stomach attack.

Next it was kicks against a kick shield.  Starting with Front Kick, where the kicking foot was pulled back (after the kick) to the supporting foot, whilst the supporting foot rotated, so that the back was facing the opponent.  From here, we were to kick again with a Back Thrust Kick. The idea is to set up the opponent, so that they think if the first kick has missed and that you have left yourself turned and vulnerable.  When they try to move in to take advantage, you immediately kick with a Back Thrust Kick and they just run onto it.

Sensei Johnston training with his wife, Elaine

Again the “adaptive” principle came into play and the Back Thrust Kick could be delivered from either leg, depending on which leg we favoured, our balance and distance to the target.  John likes to give and opening technique and then you adapt to the follow up which suits you best.  He will give a few examples, but then leave it to the individual to decide what suits them best (just as long as it works).

Next followed some applications from Heian Godan.  Firstly the opening sequence of Inside Block followed by Reverse Punch (both in back stance).  When performing the Inside Block, the reverse hand (which is usually just seen as the “pull back hand”) was the hand used to perform the actual block.  The hand which is normally seen as performing the “block” was used to push the opponents arm and put them off-balance. Then of course follow up with Reverse Punch and anything else that just felt right at the time.  John explained that he did not hold with the idea of one application being used just for one given attack.  It has to be capable of being adapted to a range of different attacks. Hence John had Elaine and I using this application against punches from both sides and both straight and hooking punches.  John explained that without this kind of versatility, you can come unstuck if you practiced an application against only one type of attack, then somebody came in with something slightly different.

We also examined the low X-Block.  Typically this is explained as blocking a kick which is very impractical.  John had us looking at the scenario of somebody stabbing to the body with a knife.  The leading hand of the X-Block was used to block/strike the attacking arm, knocking it downwards, whilst the other arm simply used as a punch to the opponents forearm to incapacitate the arm and neutralise the immediate threat of the knife.  This was followed up by whatever felt natural and Elaine and I (being very different builds) experimented with different variations.

Overall, it was a very interesting and enjoyable lesson, for which I am very grateful.  Having worked the doors for many years, John is very sure of what will and what won’t work in the real world.  He sees a lot of bunkai being taught which simply would not work under pressure.  The hallmark of John’s methods are that they are direct, effective, and for an experienced martial artist they can be used almost instantly without having to drill them for weeks to internalise them. I would recommend John to anybody in traditional martial arts who wants to make sure that their art is practical and valid on the streets.

To find out a bit more about how John teaches, you can check out his Youtube channel at:  Alternatively you can check out his main website where you can also contact him and book him for seminars at: