Karate bunkai for the kata, Heian/Pinan Godan (or Pyung Ahn Oh Dan for Tang Soo Do). Here we take a look at the sequence near the end of the kata, with of course a look at similar Kung Fu moves which gives us some more possible kata bunkai. We hope you enjoy our video.
A couple of months ago, we did a cross reference of applications from Wing Chun Kung Fu and Karate’s Tekki/Naihanchi kata bunkai, as both are noted for close quarters fighting. This proved to be quite popular so we have done another one. We do actually use part of the same section of the kata, but in a different way (every move has more than one bunkai).
Here’s a video response to Charlie and Keith’s last video showing a Karate and similar Kung Fu techniques. Their video reminded me a lot of a very well known move from Yang style Tai Chi, so here’s a video showing how we use it.
By Graham Barlow of Bath-Tai Chi and Choy Lee Fut (www.bath-taichi.co.uk)
Here we take a look at one of the movements from Hangetsu kata (formally known as Seishan). Karate is usually looked at as being linear and Kung Fu as being predominantly circular. However, the technique that we look at below is performed in a circular manor in the kata, but when we look at similar Kung Fu movements, they are performed in a linear manner. As per usual, there is more in common than there is different.
Here we take a look at the opening sequence of the most basic kata of all, Kihon Kata (TKD/TSD: Il Jang, Chon Ji, Ki Cho Hyung Il Bu). Normally explained as turn to your left and block a front kick followed by stepping and punching; then turn to your rear to block another front kick followed by a step and punch. However, this only works if the kicker aims the kick to stop short. If they actually try to kick you, then the only way you can block their kick with a lower block is to step back (not forward), otherwise the distance is all wrong.
So here we look at some different bunkai (applications) for this sequence.
Note: What I did forget to say in the video is that having taken the opponent off-balance with the first move, you should have the back of their head facing you, which means that you can take advantage of the prime target at the base of the skull on the back of the head. This is one of the prime points for knocking the opponent unconscious. Use this point with caution as it is potentially dangerous.